
Hijas sin hijas
Alicia Framis
DISCIPLINES
Editorial, Print
Highlighting women’s rights through a compassionate lens for public awareness
DISCIPLINES
Editorial, Print
About the book
Alicia Framis, a Spanish-Dutch artist, explores profound social themes such as women’s and minority issues through large-scale interventions. Her project ‘Daughters without Daughters – Testament of a Hundred Women’ seeks to immortalize 100 women from diverse racial and societal backgrounds in Barcelona and Amsterdam who have chosen not to have children.
These women challenge societal expectations, offering a redefinition of legacy and posthumous remembrance. The book proposes an alternative inheritance beyond traditional notions: memories, personal artifacts, writings, scents, and the lasting impact on loved ones.
Through portraits captured in natural settings, the project delves into themes of mortality, eternity, personal growth, and femininity beyond the ability to bear children. It culminates in an anonymous collective testament, shaped by interviews with the women, exploring questions such as: “How can we become everlasting in the end? How to continue to exist in the memory of others after death? How to develop without duplicating an image of oneself?”
Even a quarter-century after its publication, the book’s message resonates deeply in a society where more individuals are choosing a child-free path.
About the Design
Femininity and authenticity are at the forefront of this project, and the choices made for the layout reflect that at every step. With a minimalist, monochrome set-up, the design creates an intimate atmosphere that offers the reader an honest and raw window into the lives of the 100 women presented in the book. While photographs take up most of the space, the typography remains simple and understated, allowing the images to shine through.
The full page, sharp black-and-white portraits capture the women in a natural, sincere and open way, urging the viewer to slow down and take in everything that is being presented to them. The relaxed poses, genuine smiles, wrinkles and blemishes, eyes wide open or half shut, as well as the details in the background – an office, the street, home – create an inviting environment where the subject gets to show her true self.
The writing, while it only takes up a small portion of the book, is nevertheless an important part of the design. The original Spanish text is presented in an open, spaced out manner, with each thought separated by a dot, and the lines giving each other room to breathe and even to insert additional notes, as can be seen in the occasional small lines of silver text that appear throughout the ‘testament’. Following that, the English and Dutch translations take a more economical approach by showing the text in two columns of smaller, more condensed characters. The essence of the writing, however, is preserved in the same dotted breaks and spacing between paragraphs.
The core message of the book is synthesized by the design of the cover. The close-up image of nylon tights – abstract, yet so recognizable – is a symbol strongly associated with femininity, but also fragility due to the easily breakable nature of the material. The vertical tear that runs along most of the page and stops right before the end, intersecting the title, can be viewed as a metaphor for the family lineages that will end with the women presented in the book. At the same time, together with the other snags and rips visible on the photograph, the broken tight is also meant to represent the imperfections and faults that make up real people, as well as the ephemerality of human life.


“This work has grown out of my need to make a testimonial, while they still live, for those women who decided to refrain from having any offspring.”





“Can the concept of eternity exist as a photographic moment?”






Colophon
Authors: Alicia Framis and hundred women
Design: Renate Boere
Photography: Alicia Framis and Oscar Martinez Paricio, Photo of Monique Toebosch is a self-portrait
Translations: Jan Ejkelboom and Anna Ejkelboom
Lithography and Printing: De Longte, Dordrecht
Distribution: Centrum Beelende Kunst Dordrecht
Edition: 300
Year of publication: 1998